![]() ![]() As with the aforementioned titles, guitarist Michael Schenker's six-string heroics are the real determining factor to UFO's sound-look no further than his fluid soloing skills on the barnstorming title track. This changed with their 1977 release, LIGHTS OUT. Although Euro-rockers UFO had built a solid fan base worldwide amongst metal heads with such releases as PHENOMENON, FORCE IT, and NO HEAVY PETTING, the band had yet to issue a solid album from beginning to end. Recording information: Air Studios, London, England Roundhouse, London, England. UFO: Phil Mogg (vocals) Paul Raymond (guitar, keyboards) Michael Schenker (guitar) Pete Way (bass instrument) Andy Parker (drums). In honor of Raymond and Way, and to pay tribute to the lasting contribution that Mogg has made to hard rock, we thought we’d put together a top ten of the best UFO songs that make us want to turn the volume up and sing along with the band at the top of our lungs while riffing away on an imaginary air guitar.UFO: Paul Raymond (vocals, guitar, keyboards) Phil Mogg (vocals) Michael Schenker (guitar) Pete Way (bass) Andy Parker (drums). Where this leaves UFO is anyone’s guess, but it wouldn’t surprise us to learn that they’d found a way to cheat mortality, and keep on rocking harder than they ever had. In the wake of his old friend’s passing, Phil Mogg announced that he would be retiring after the band’s next tour. In two thousand and nineteen long-standing keyboard player Paul Raymond suffered a fatal heart attack, and just twelve months later, bass player and original member Pete Way succumbed to complications from injuries sustained in a fall. The constant animosity between the members over the years helped the bands creative fire to burn brightly, and while time has to some degree tempered their wild spirits, it hasn’t had any effect on their appetite for touring and their need to hit the road and play music to the only people who really matter to them, their fans.Ĭlick HERE to Check Out UFO Band Merch on Amazon!Įven though the will to push as hard as they always have is still present, the passage of time hasn’t gone unnoticed by the band. Michael Schenker, Paul Chapman) would care to, or could probably recall. They were a band that loved to fight almost as much as they loved to play, and have fallen out with each other, often brutally so, and made amends more times than their current, and impressive list of ex-members (e.g. ![]() While Way was content to find his solace and peace in the bottle, Mogg pursued other pleasures, and anyone who tried to confront or stop him often found themselves falling victim to his untamed temper and vicious ability as a pugilist. It’s a tactic that has seemed to serve them well, as they’ve been employing, and making the most of, it throughout their fifty-year career, and barring a few twelve months layoffs during the eighties and nineties, UFO has spent the last half a century turning their amps up and bringing the house down in clubs and halls all over the world.įormed by the unshakeable and mostly ever-present duo of singer Phil Mogg and bass player Pete Way in London in nineteen sixty-eight, UFO originally found their home in the burgeoning blues-driven post-psychedelic movement that held the city in thrall at the time.Īfter creating the sort of fearsome live reputation that money just can’t buy, they signed their first record deal less than two years after their initial practice, and in the intervening decades have gone on to record and release another twenty-one albums.īut their fearsome reputation extended far beyond their mythical live shows, as the band was plagued by its own demons. The line between genius and insanity is, according to the old adage, a very fine one, and UFO has spent their entire career balancing on it and throwing caution to the wind as they embraced everything that music had to offer. ![]()
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